Have you seen the back cover of the new FWW?

[Russell Tribby]

Every time I see something like this it evokes a wide range of emotions - disbelief, amazement, inadequacy, you name it. Absolutely amazing.

[Bruce Page]

I agree, amazing work. I'd love to see more detail pictures on it.

[Travis Rassat]

Which issue are you talking about?

[Bruce Page]

July/August '08

[David Cramer]

There sure are some gifted :)talented and dedicated craftspeople in this world!

[Rob Diz]

Actually, he is a newbie and made it in a weekend :cool:

[Travis Rassat]

Thank you for the clarification!

Yes, that is absolutely amazing work. I am always impressed with some of the beautiful work that graces the back cover of Fine Woodworking, but this one is mindblowing!

[Keith Starosta]

For those of you that have a subscription to FWW Online, check out this link...

http://www.taunton.com/finewoodworking/SkillsAndTechniques/SkillsAndTechniquesArticle.aspx?id=30761

For those who don't, here is a brief synopsis...

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When Joel Shepard began making his Biedermeier-style cabinet, he wasn’t expecting to use wood to construct the illusion of full-scale rooms in the cabinet’s 22-in. by 24-in. interior. But more than 5,000 pieces of veneer later, that’s exactly what happened. After his client decided against a painted interior, Shepard used commercial and handsawn veneers in innovative ways to get the desired effect. As well as employing a woodworker’s eye for interesting and contrasting woods, he used lighting and perspective to trick the viewer. The longer one peers into the rooms, the more the details are revealed in the floor, ceiling, wallpaper, wainscoting, frame-and-panel door, and molding.

Miniature Millwork
To create the baseboard and door-trim molding, Shepard stacked sheets of veneer about 20 deep, gluing and clamping them into “lumber,” which he then carefully profiled with small router bits and carving chisels.

For the wainscoting and door, he applied West African etimoe veneer to a thin core of mahogany before routing the beading on the wainscoting and cutting the tongue-and-groove joinery and raised panels for the door.
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Parquetry floor
Shepard combined three woods—mahogany, imbuia, and walnut—to create the pattern on the floor. First, he milled 1/4-in. cross-grain parallelograms, and then glued three of them (one of each species) into a hexagonal stick.

The sticks were glued into bundles of 30 to 50 and resawn into 1/16-in.-thick veneers, which form the floor.

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Ornate ceiling and walls
Because he was working with a limited amount of madrone burl veneer, Shepard had to be creative about cutting and orienting it. He arranged the ceiling pattern (left) by book-matching, rotating, and piecing the pattern together.

He achieved the herringbone wallpaper pattern by cutting 1/2-in. stripsof veneer at an angle across the figure and then book-matching them.

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Unbelievable skill and talent!!! :eek:

- Keith

[Jim Kountz]

And........if you have a FWW subscription go check out their pics from the Irion Commission. Many pieces of fine reproductions and just amazing carving.

[Keith Cope]

Unbelievable skill and talent!!! :eek:And a pretty fair amount of patience too!

That is a very cool piece.

-Keith

[Greg Cole]

The 5,000+ pieces of veneer really got my attention.... what a PITA to keep track of.
Absolutely amazing piece no matter which way you look at it.

Greg