Greg Bednar
09-28-2010, 4:49 PM
I am in need of some assistance on a particular job. I have been tasked with engraving the floor plate of a Remington rifle. I have contacted the company because I wanted to know if the piece was anodized aluminum and not simply blued metal. The man on the other end of the phone told me it was anodized, but I am inclined to disagree with him. I believe it is aluminum that has been spray painted black. I did a test engraving of a small cross which you can see at the top of the picture. It turned out a dull aluminum color since I think particles of the paint had contaminated the substrate in the engraving process. So I took some MAAS fine polishing creme which brightened the cross, but put a gloss finish on the surrounding flat black paint.
You can also see in the bottom of the photo where the flat black spray has not covered all the metal. So, I'm thinking I'm correct with the "not anodized" theory.
I used recommended setting on my machine for anodized aluminum, 100/45 at 600DPI. But I would like to get a more brilliant effect without using the polishing cream thereby not changing the finish of the flat black floor plate, and still have a shinier engraving.
Any thoughts on how this can be accomplished? Do I up the power to ablate the paint, slow down the speed. I don't have diamond drag so that's out.
You can also see in the bottom of the photo where the flat black spray has not covered all the metal. So, I'm thinking I'm correct with the "not anodized" theory.
I used recommended setting on my machine for anodized aluminum, 100/45 at 600DPI. But I would like to get a more brilliant effect without using the polishing cream thereby not changing the finish of the flat black floor plate, and still have a shinier engraving.
Any thoughts on how this can be accomplished? Do I up the power to ablate the paint, slow down the speed. I don't have diamond drag so that's out.